Partitions Numériques de Sketches, for solo piano pour Saxophone Soprano et Piano

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Sketches, for solo piano
Non classifié 13

Piano & claviers
Piano seul 117
Piano Facile 6
Piano grosses notes 1
1 Piano, 4 mains 1

Guitares
Guitare notes et tablatures 2
Guitare 2

Voix

Vents
Clarinette et Piano 3
Flûte traversière et Piano 2
Flûte traversière 1
Clarinette 1
Saxophone Baryton, Piano 1

Clarinette Basse, Piano 1
Saxophone Alto et Piano 1
Cor anglais, Piano 1
Quatuor de Flûtes : 4 flûtes 1
Saxophone Soprano et Piano 1

Hautbois, Piano (duo) 1
Saxophone Tenor et Piano 1

+ 7 instrumentations

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Cuivres
Trombone et Piano 5
Tuba et Piano 3
Euphonium, Piano (duo) 3
Trompette 2
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba 1

Cor anglais, Piano 1
Trompette, Piano 1

+ 2 instrumentations

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Cordes
Violon et Piano 7
Violoncelle, Piano 6
Quatuor à cordes: 2 violons, alto, violoncelle 3
Alto, Piano 2
Violon, Alto (duo) 1

Percussions & orchestre
Orchestre 1
Orchestre, Violon 1

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Sketches, for solo piano

Saxophone Soprano et Piano

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Scriabin: Prelude Op. 11 No. 2 for Soprano Sax & Piano

Scriabin: Prelude Op. 11 No. 2 for Soprano Sax & Piano #Saxophone Soprano et Piano #INTERMÉDIAIRE #Alexander Scriabin #James M #Scriabin: Prelude Op. 11 No. 2 #jmsgu3 #SheetMusicPlus

Piano,Soprano Saxophone - Level 3 - SKU: A0.549466 Composed by Alexander Scriabin. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic P...(+)

Piano,Soprano Saxophone - Level 3 - SKU: A0.549466 Composed by Alexander Scriabin. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Sacred,Standards. Score and part. 12 pages. Jmsgu3 #3499743. Published by jmsgu3 (A0.549466). Score: 8 pages, solo part: 2 pages, piano part: 2 pages. Duration: 3:10. An introspective and meditative work with a lot of dynamic and phrasing nuance. Works well for church meditations or recital encores. Background Op.11/2 Alto Clarinet version. First of all, Scriabin composed mostly for the solo piano and also the orchestra. This is probably because he was a gifted pianist and therefore certainly appreciated the piano. Scriabin grew up in the late Romantic period, consequently, he was fond of the great piano masters of the time. As a result, he wrote his first noteworthy compositions in the manner of Chopin and Liszt. Forms Likewise, Scriabin used many of the same forms as Chopin. These certainly include the Ã©tude, prelude, nocturne, and even the mazurka. In contrast, as he developed his own sense of style his music became more and more unusual. So, the last five of his Piano Sonatas do not have a key signature and therefore lean towards atonality. Philosophy Scriabin also developed a keen interest in philosophy and likewise poetry. He was above all particularly fascinated by Nietzsche, Delville, and Blavatsky. Consequently, he finally established his own ideas about metaphysics and certainly mysticism. Scriabin consequently advanced theories about the relationship between color and musical keys. Synesthesia He also may have experienced a condition called synesthesia where he could probably sense a response created from a different stimulus. Therefore, it was almost as if he could see music and hear colors. Scriabin, therefore, arranged the colors in a circle similar to the circle-of-fifths and assigned each key area a color. Finally, he assigned the key of C to the color red, while the key of G was orange. Similarly, he assigned D to yellow, A to green, and so forth. Strangely, he did not differentiate between major and minor key colors. Multimedia Hence, his ability to translate colors into music certainly gave Scriabin a most noteworthy interest in creating multimedia events. Furthermore, He designed his biggest work, the Mysterium, to last an entire week. Even more, Scriabin made plans not only for music, but also colored lights, incense, and dancing. He designed the performance to occur in the foothills of the Himalaya mountains. The Mysterium was never performed, and only sketches of the work remain. Modern Performances In modern times, we often experience performances of Scriabinâ€™s most famous completed works accompanied by colored laser lights and incense. These are the Poem of Ecstasy (completed in 1908) and the Poem of Fire (completed in 1910). The lighting effects for these early performances were accomplished by the clavier Ã lumiÃ©res. It was a keyboard instrument that projected colored light onto a screen.

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